Kristina Benjocki’s work explores the political mechanisms of forgetting and remembering in the context of former Eastern and Western Europe, and materializes through installation, audio, textile and film. Engaging with the local history of the cloth industry in Eupen as well as her own biographical attachments to textile production, the exhibition at Ikob is a poetic interrogation of how textiles and the very practice of weaving intersect with technological progress, political histories, and the construction of cultural identity.